{"id":3733,"date":"2018-06-16T03:31:50","date_gmt":"2018-06-16T07:31:50","guid":{"rendered":"http:\/\/www.elijahwald.com\/songblog\/?p=3733"},"modified":"2018-06-16T12:12:22","modified_gmt":"2018-06-16T16:12:22","slug":"stop-that-dancing","status":"publish","type":"post","link":"https:\/\/www.elijahwald.com\/songblog\/stop-that-dancing\/","title":{"rendered":"Stop That Dancing Up There!"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Stop that Dancing Up There!\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/G35Ck0_TOZQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>I first heard Harry &#8220;The Hipster&#8221; Gibson on a Stash records anthology of drug songs, performing &#8220;Who Put the Benzedrine In Mrs. Murphy&#8217;s Ovaltine&#8221; &#8212; and my initial reaction was that it had <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3738 alignright\" src=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/harry-the-hipster-downbeat-227x300.jpg?resize=227%2C300\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/harry-the-hipster-downbeat.jpg?resize=227%2C300&amp;ssl=1 227w, https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/harry-the-hipster-downbeat.jpg?w=275&amp;ssl=1 275w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/>to be a put-on because no one could have been singing something like that in 1947.<\/p>\n<p>I was wrong, of course, but that got me interested, so when an<\/p>\n<p>oldies label issued a full LP of his early work I snapped it up. Thus I discovered &#8220;Handsome Harry the Hipster,&#8221; &#8220;4-F Ferdinand, the Frantic Freak,&#8221; &#8220;<span class=\"tracklist_track_title\">Who&#8217;s Goin&#8217; Steady With Who?<\/span>&#8221; and this masterpiece, which soon became a highlight of my repertoire.<\/p>\n<p>I&#8217;m pretty sure I started doing this solo, as a shout-along, which is like a sing-along but requires no singing &#8212; I just encourage the audience to shout along with the title line. I found it was easier to get compliance with shout-alongs, or at least with this one, and it always worked well in the bars. Then, <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3735\" src=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/Stop-That-Dancing-EW-cassette-release-300x266.jpg?resize=249%2C221\" alt=\"\" width=\"249\" height=\"221\" \/>when I hooked up with Robbie Phillips, Peter Keane, and Mark Earley as the Street Corner Cowboys, I found it worked as a band number, and when I recorded a cassette in the mid-1990s Mark played a nice harmonica break, which he replicated onstage at the release party at Passim Coffeehouse (in photo).<\/p>\n<p>As for Harry the Hipster&#8230; a <a href=\"http:\/\/www.hyzercreek.com\/harryautobio.htm\">brief self-penned memoir <\/a>tells his story. A blond Jewish piano prodigy from the Bronx, he started hanging out in Harlem, picked up the current jazz styles, and was promoted as a white teenage protege of Fats Waller, whom he had never met. Then, as he recalled, one night he was playing his usual gig and&#8230;<\/p>\n<p><em>A big guy came over, put five dollars in the kitty and asked for &#8220;Sit Right Down and Write Myself a Letter.&#8221; I could almost play that tune, note for note, like the Waller recording. The big man laughed and asked how I learned to play that way. I went into the high jive about how I was Fats&#8217; star pupil. The guy just about broke up, stuck out his hand and said, &#8220;Sonny, say hello to your old professor, Thomas Waller.&#8221;<br \/>\n<\/em><\/p>\n<p>Waller booked young Harry Raab as an extra at the Yacht Club on 52nd Street, the main drag for small-band jazz, and over the next few years he changed his name to Gibson and became a local institution. The Hipster played with everybody from Charlie Parker to <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3737 alignright\" src=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/Wiliam_P._Gottlieb_Portrait_of_Harry_Gibson_New_York_ca._July_1948_LOC_gottlieb.11851-300x267.jpg?resize=300%2C267\" alt=\"\" width=\"300\" height=\"267\" srcset=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/Wiliam_P._Gottlieb_Portrait_of_Harry_Gibson_New_York_ca._July_1948_LOC_gottlieb.11851.jpg?resize=300%2C267&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/Wiliam_P._Gottlieb_Portrait_of_Harry_Gibson_New_York_ca._July_1948_LOC_gottlieb.11851.jpg?w=350&amp;ssl=1 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Mae West, co-leased a nightclub with Lord Buckley, and in 1944 Musicraft Records &#8212; a classical label that had pioneered the idea of selling folk-blues albums to the New York intelligentsia with Leadbelly and Josh White releases &#8212; signed him as their first jazz artist. That was still a novel idea, since jazz was considered jukebox pop music and sold almost exclusively on singles.<\/p>\n<p>As Gibson recalled, the Musicraft guys saw him at the Three Deuces playing a substitute set for Billie Holiday and asked if he could record the next morning. Ben Webster was the other act on the bill, so he asked Webster&#8217;s rhythm section &#8212; Sid Catlett on drums and John Simmons on bass &#8212; if they could make the gig. They said sure, and that was that. The only problem was that Musicraft wanted eight original compositions to fill a four-disc album, and he only had seven&#8230; so they rehearsed the seven, and <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3736\" src=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/04\/boogie-woogie-in-blue-hipster-gibson.jpg?resize=275%2C229\" alt=\"\" width=\"275\" height=\"229\" \/>then:<\/p>\n<p><em>While the drummer and bassman went out to the all-night eatery, I came up with &#8220;Stop That Dancing Up There.&#8221; I had it finished by the time John and Sid came back from breakfast; it turned out to be the hit of the album.<\/em><\/p>\n<p>Gibson had a long and varied career, albeit with some gaps due to substances and so forth, and was still working in the 1980s with a blues\/rock combo, still writing, still doing his hipster schtick. Unfortunately I didn&#8217;t know that at the time&#8230; I would have loved to have caught his show, met him, heard more stories.<\/p>\n<p>There are a few videos on Youtube from his first heyday, which convey some sense of his oddball appeal. They don&#8217;t include one I saw someplace that included a &#8220;stop chorus&#8221; of silly facial expressions, but this is a pretty fair taste:<\/p>\n<p><iframe loading=\"lazy\" title=\"Harry The Hipster Gibson - 4-F Ferdinand\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/r8Swpw9yZ5w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first heard Harry &#8220;The Hipster&#8221; Gibson on a Stash records anthology of drug songs, performing &#8220;Who Put the Benzedrine In Mrs. Murphy&#8217;s Ovaltine&#8221; &#8212; and my initial reaction was that it had to be a put-on because no one could have been singing something like that in 1947. I was wrong, of course, but &hellip; <a href=\"https:\/\/www.elijahwald.com\/songblog\/stop-that-dancing\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Stop That Dancing Up There!<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3733","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Stop that Dancing Up There! 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So when every so often someone says, \"Play your favorite song,\" my reaction -- though I sometimes try to be polite and not express\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"simon and garfunkel","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2016\/07\/simon-and-garfunkel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1593,"url":"https:\/\/www.elijahwald.com\/songblog\/georgie-and-the-irt\/","url_meta":{"origin":3733,"position":2},"title":"Georgie and the IRT (Lawrence Block)","author":"Elijah Wald","date":"July 10, 2016","format":false,"excerpt":"A bit of Newyorkiana from Dave Van Ronk's second album and the nimble pen of his friend Lawrence Block. Now well known as a mystery\/thriller\/private eye writer, Block was then churning out naughty novels at a terrific pace under numerous pseudonyms, many of them set in the Greenwich Village Bohemian\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2016\/07\/Pads-are-for-Passion-177x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":156,"url":"https:\/\/www.elijahwald.com\/songblog\/hard-aint-hard\/","url_meta":{"origin":3733,"position":3},"title":"Hard, Ain&#8217;t It Hard (Woody and Cisco)","author":"Elijah Wald","date":"February 8, 2016","format":false,"excerpt":"This was one of the many songs Woody Guthrie and Cisco Houston recorded together, with Woody typically singing lead. 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