{"id":3701,"date":"2018-05-26T01:10:11","date_gmt":"2018-05-26T05:10:11","guid":{"rendered":"http:\/\/www.elijahwald.com\/songblog\/?p=3701"},"modified":"2025-01-31T12:40:19","modified_gmt":"2025-01-31T17:40:19","slug":"ragged-and-dirty","status":"publish","type":"post","link":"https:\/\/www.elijahwald.com\/songblog\/ragged-and-dirty\/","title":{"rendered":"Ragged and Dirty (William Brown\/Sleepy John Estes)"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Ragged and Dirty\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/UNhYqxBd79k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>No one knows anything about William Brown, the versatile singer and guitarist who recorded two songs (or maybe three) for Alan Lomax in 1942. All we have is the music, and it is startlingly distinctive, including two masterpieces of acoustic blues &#8212; both inspired by recordings, with guitar parts that adeptly capture the feel of other instruments. One is the haunting &#8220;<a href=\"https:\/\/www.elijahwald.com\/songblog\/mississippi-blues\/\">Mississippi Blues<\/a>&#8221; (a generic title presumably slapped on the record by Lomax), which has a guitar part that is a model of how to adapt piano blues licks to guitar.<\/p>\n<p>&#8220;Ragged and Dirty&#8221; likewise adapts its basic licks from another instrument. It is a reworking of Sleepy John Estes&#8217;s &#8220;Broken Hearted, Ragged and Dirty Too,&#8221; and Brown capoed his guitar around the seventh fret to get the high, chiming sound of the mandolin played by Estes&#8217;s longtime accompanist Yank Rachell. I picked it up after getting back from Africa, which was fortunate because that trip convinced me some guitar arrangements demand to be played with just the thumb and index finger, and this is decidedly one of them.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-3711 size-medium alignright\" src=\"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2019\/04\/Sleepy-John-Estes-and-Yank-Rachell.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" \/>Estes was one of the great blues songwriters and although Brown stuck fairly close to his lyric, some of the continuity and subtleties were lost &#8212; so I&#8217;ve mostly gone back to what Estes sang in 1929. Where a lot of blues singers just sang whatever verses came to them in the moment, he tended to created cohesive compositions, and this is a good example: setting up the story, telling what happened, then saying how he felt about it. I&#8217;m particularly fond of the detailed description of the moment the singer discovers his lady is cheating on him: &#8220;I went to my window, couldn&#8217;t see through the blinds\/ I heard the bed springs humming, I heard my baby crying.&#8221;<\/p>\n<p>Lomax wrote an evocative account of the recording session with William Brown in <em>The Land Where the Blues Began<\/em>, portraying him as a thoughtful man who had decided to leave Mississippi and was headed for a better life up north. The general feel of the story &#8212; which includes a nasty interruption from a couple of racist cops &#8212; rings true, but readers should be aware that Lomax did not take notes and the dialogue was reconstructed from memory decades afterwards. That is relevant because some people have given too much weight to a footnote suggesting this was the same William Brown who played for many years with <a href=\"https:\/\/www.elijahwald.com\/songblog\/future-blues\/\">Son House<\/a>, including a session Lomax recorded&#8230; and virtually all other evidence suggests it was not.<\/p>\n<p>The other William (or Willie) Brown was an associate of <a href=\"https:\/\/www.elijahwald.com\/songblog\/keep-your-hands-off-her\/\">Charlie Patton<\/a> and a terrific guitarist and singer in what is now often called the Delta blues style &#8212; meaning the style of Patton, House, Brown, and other guitarists who played with or learned from them, notably <a href=\"http:\/\/www.elijahwald.com\/songblog\/big-road-blues\/\">Tommy Johnson<\/a> and younger artists including <a href=\"http:\/\/www.elijahwald.com\/songblog\/walking-blues\/\">Robert Johnson<\/a> and Muddy Waters. He likewise recorded only a couple of tracks, both of which are classics &#8212; I have a post about his &#8220;<a href=\"https:\/\/www.elijahwald.com\/songblog\/future-blues\/\">Future Blues<\/a>&#8221; &#8212; but they are classics of that particular style. The players around Patton learned from one another directly, picking up licks and tunings in an oral and visual process that predated recording (Tommy Johnson&#8217;s &#8220;<a href=\"https:\/\/www.elijahwald.com\/songblog\/bye-bye-blues\/\">Bye and Bye Blues<\/a>&#8221; is a good example), and I&#8217;d bet anything that the Brown who so adeptly reworked recordings of piano and mandolin was at least ten years younger, from the generation of Robert Johnson and Robert Lockwood. The arrival of recording dramatically changed the process of musical transmission, and this is the sound of the transitional generation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No one knows anything about William Brown, the versatile singer and guitarist who recorded two songs (or maybe three) for Alan Lomax in 1942. All we have is the music, and it is startlingly distinctive, including two masterpieces of acoustic blues &#8212; both inspired by recordings, with guitar parts that adeptly capture the feel of &hellip; <a href=\"https:\/\/www.elijahwald.com\/songblog\/ragged-and-dirty\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Ragged and Dirty (William Brown\/Sleepy John Estes)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3701","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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That's all we know about him, and even that is not\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2024\/03\/william-brown-card-e1709791331734.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4122,"url":"https:\/\/www.elijahwald.com\/songblog\/future-blues\/","url_meta":{"origin":3701,"position":1},"title":"Future Blues (Willie Brown\/Son House)","author":"Elijah Wald","date":"November 17, 2018","format":false,"excerpt":"This is one of the defining Delta blues guitar pieces, apparently originated by Charlie Patton, though I got it from Willie Brown and Son House. Brown's version is the one that was titled \"Future Blues,\" and I first came across it in Stefan Grossman's Delta Blues Guitar instruction book. That\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2018\/11\/Grossman-Delta-Blues-233x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5089,"url":"https:\/\/www.elijahwald.com\/songblog\/stackolee-furry-lewis\/","url_meta":{"origin":3701,"position":2},"title":"Stackolee (Furry Lewis)","author":"Elijah Wald","date":"March 13, 2024","format":false,"excerpt":"As I've explained in an earlier post, I first heard \"Stagolee\" from Woody Guthrie, then from Mississippi John Hurt, then Dave Van Ronk... and eventually from Dave's source, Furry Lewis. This is the Lewis version, which turns out to be a reworking of a ballad from the same period about\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2025\/03\/Ollie-Jackson-in-Adventure-Mag-1924.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3014,"url":"https:\/\/www.elijahwald.com\/songblog\/ragged-but-right\/","url_meta":{"origin":3701,"position":3},"title":"Ragged, But Right (Greenbriar Boys, etc.)","author":"Elijah Wald","date":"August 12, 2017","format":false,"excerpt":"I've testified in a previous post about my love of the Greenbriar Boys, and in particular their album with this title track. It was one of the formative records of my early teens, in a large part because it was so much fun -- kind of like the Kweskin Jug\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2016\/04\/greenbriar-boys-300x299.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33,"url":"https:\/\/www.elijahwald.com\/songblog\/from-four-until-late\/","url_meta":{"origin":3701,"position":4},"title":"From Four Until Late (Robert Johnson)","author":"Elijah Wald","date":"December 12, 2015","format":false,"excerpt":"One of my pet subjects as a music historian is how little we know about what and how people played in the past, and how easy it is to get stories wrong--especially when we think we know what we're talking about. As I explain in the video, I had gone\u2026","rel":"","context":"With 3 comments","block_context":{"text":"With 3 comments","link":"https:\/\/www.elijahwald.com\/songblog\/from-four-until-late\/#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2015\/12\/Four-OClock-Mamie-Smiths-Jazz-Hounds-small.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2015\/12\/Four-OClock-Mamie-Smiths-Jazz-Hounds-small.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2015\/12\/Four-OClock-Mamie-Smiths-Jazz-Hounds-small.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4543,"url":"https:\/\/www.elijahwald.com\/songblog\/one-dime-blues\/","url_meta":{"origin":3701,"position":5},"title":"One Dime Blues (Lemon Jefferson)","author":"Elijah Wald","date":"December 18, 2021","format":false,"excerpt":"I love Lemon Jefferson's singing and playing, and for a while immersed myself in his guitar style, but he was such a distinctive and quirky player\u00a0 that most of my efforts just sounded like half-assed imitations of what he happened to play on a given day. I've kept playing his\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.elijahwald.com\/songblog\/wp-content\/uploads\/2019\/07\/blind-lemon-Jefferson-239x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/posts\/3701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/comments?post=3701"}],"version-history":[{"count":15,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/posts\/3701\/revisions"}],"predecessor-version":[{"id":5639,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/posts\/3701\/revisions\/5639"}],"wp:attachment":[{"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/media?parent=3701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/categories?post=3701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elijahwald.com\/songblog\/wp-json\/wp\/v2\/tags?post=3701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}